Biography

‘Strikingly independent…her art says something genuinely insightful about the modern world’ – Waldemar Januszczak writing in The Sunday Times

‘There may not be an elegant term for the jangling, queasy, uncanny chills induced by certain combinations of materials and textures, but by God does Polly Morgan understand the territory.’ – Hettie Judah writing in The Guardian

‘Simultaneously excruciating, outrageous and savagely erotic’ Louisa Buck writing in The Art Newspaper

Polly Morgan (b.1980) is a British artist living and working in London. Self-taught with no formal education in art, Polly Morgan works in taxidermy, concrete and polyurethane. She is interested in creating deceptions, with sculptural facsimiles made from painted casts and skin, as a way of exploring false narratives in our increasingly polarised and digitised society.

Social media and the Covid pandemic provide the context for her latest work, for which she uses the decorative hides of snakes and the trompe l’oeil designs in nail artistry to probe the disparity between surface and reality. Snakes in the sculptures, painted and coated in powders and transfers used to decorate human nails, contort to fit casts of polystyrene packaging, gripping or spilling from openings in the forms. Snug or squashed in, they evoke either cosiness or claustrophobia and allude to our own containment and possible over-protection during lockdown.

She is persistently drawn to the deceptive qualities of veneers; used to conceal or protect something less desirable or durable, and of snakes’ skins; designed to provide camouflage or to imitate more deadly breeds. In this context our edited and filtered online selves can be interpreted as products of a natural instinct to nurture misleading perceptions in order to assimilate and avoid crowd censure. Titled after face-altering apps, her photographs of snakes’ skins, being peeled back by hands clad in artificial fingernails, hint at the subterranean life that exists beneath all things.

ACCOLADES:

2021 Winner of the Royal Society of Sculptors First Plinth public art award.
2016 Selected by Lord Melvyn Bragg to design and create 13 awards for the winners of the Sky Southbank Arts Awards.
2014 Selected to represent Britain in Women to Watch 2015, at the National Museum of Women in the Arts, Washington DC.

 

Selected Exhibitions

Solo

How to Behave at Home
The Bomb Factory Art Foundation, London
2020
ARE THEY ALL YOURS
Hix Art Gallery, Rivington Street, London
2019
Short Sentences, Spoken Softly
Other Criteria / New York
2014
The Box
Pippy Houldsworth Gallery / London
2014
Fate’s Refrain
Robilant + Voena / Milan
2014
Curiouser and Curiouser
Warrington Museum and Art Gallery / Warrington
2013
Foundations / Remains
The Office / Nicosia
2013
Endless Plains
All Visual Arts / Omega Place, London
2012
Dead Time
Void / Derry
2011
Burials
Workshop Arte Contemporanea / Venice
2011
Psychopomps
Haunch of Venison / London
2010
Still Birth
Other Criteria / Hinde St., London
2010
The Exquisite Corpse
One Marylebone Road / London
2007

Group

Royal Academy Summer Exhibition
Royal Academy of Arts
2019
The New Art Gallery Walsall, Sculpture in Focus
The New Art Gallery Walsall
2019
Naturalia
Paul Kasmin Gallery, 293 Tenth Avenue, New York
2017
Faith and Fathom
Galleria Poggiali, Via Della Scala 35a, Florence, Italy
2016
Daydreaming with Stanley Kubrick
Somerset House, WC2R 1LA
2016
5 Years at Heddon Street
Pippy Houldsworth Gallery, 6 Heddon Street, London, W1B 4BT
2016
Zoote
Via Andrea Doria 10, Torino
2016
Dead Animals, or the Curious Occurrence of Taxidermy in Contemporary Art
David Winton Bell Gallery, Providence, Rhode Island
2016
Organic Matters – Women to Watch
National Museum of Women in the Arts, Washington DC
2015
Ngorongoro
Lehderstrasse 34, Berlin, 13086
2015
Old Rope, an exhibition curated by Polly Morgan
Pippy Houldsworth Gallery / London
2014
Late Harvest
Nevada Museum of Art / USA
2014
What am I Doing Here?
Esbjerg Art Museum / Denmark
2013
Victoriana – The Art of Revival
Guildhall Art Gallery / London
2013
Meine Lieber Schwan
ACC Galerie / Weimar
2013
Beasts of England, Beasts of Ireland
Visual Centre for Contemporary Art / Carlow
2013
Nature of the Beast
The New Art Gallery / Walsall
2013
Beastly Hall
Bexley Hall / Bexley
2013
House of Beasts
Attingham Park / Shropshire
2012
Women Make Sculpture
Pangolin London
2011
Contemporary Eye: Crossovers
Pallant House Gallery / Chichester

2010
10,000 Hours; on Craftsmanship, Mastery and Failure in Art
Kunstmuseum Thurgau / Switzerland
2010
Passion Fruits
Me Collectors Room / Berlin
2010
Purpling
Gimpel Fils, London
2009
The Age of the Marvellous
One Marylebone / London
2009
Mythologies
Haunch of Venison / Burlington Gardens, London
2009
You Dig the Tunnel, I’ll Hide the Soil
White Cube Hoxton Square and Shoreditch Town Hall / London
2008
Reconstruction #1
Sudeley Castle / Gloucestershire
2006


Public Collections



Private Collections

ENQUIRES

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